Skid Row was one of the last hair metal bands to hit the mainstream before grunge took over in the
early '90s. They were also arguably the last of such bands to have any originality. While their 1989 self-titled release used
standard pop-metal riffs and contained a handful of generic lyrics, 1991's Slave to the Grind and 1995's Subhuman Race broke
away from the pop-metal mold with uncharacteristically hard, thrashy guitars and more unique songwriting while still relying
on varying '80s metal formulas. Though personal differences and changing trends would eventually tear the band apart by 1996,
Skid Row showed a tremendous amount of promise during their short run in the mainstream.
Skid Row was formed in 1986 by bassist Rachel Bolan and former Bon Jovi guitarist Dave "the Snake"
Sabo. The pair added guitarist Scotti Hill, drummer Rob Affuso, and vocalist Sebastian Bach to the lineup by early 1987 and
the band spent the next year and a half playing a series of local clubs in the eastern U.S. Still in connection with Jon Bon
Jovi, Sabo convinced the established rock star to land Skid Row a record deal with Mercury. In 1989, the band released their
first album, Skid Row, which went multi-platinum on the strength of the Top 40 singles "18 and Life" and "I Remember You."
Success was not without backlash, however -- the band had naively signed away much of their royalties and Sebastian Bach's
childlike behavior would land the group in additional trouble. During the subsequent tour, Bach received harsh criticism for
a T-shirt he publicly sported displaying the message: AIDS KILLS FAGS DEAD. Suits were also filed against Bach after a concert
during the supporting tour, where the singer allegedly threw a glass bottle into the crowd, injuring a young female fan. Nonetheless,
Skid Row retained a devoted audience -- 1991's Slave to the Grind debuted at number one on the Billboard Charts, an unprecedented
accomplishment for a metal band. While the album did not chart any real radio hits, Grind received stronger critical praise
and would eventually reach platinum status. Like so many of their peers, Skid Row lost much of their fan base during the grunge
phase of the '90s. As Nirvana stormed the scene in 1992, Skid Row took a hiatus, waiting out the grunge period and pondering
breakups (ironically, Nirvana had once gone under the name Skid Row in the '80s). Skid Row returned in 1995 with Subhuman
Race, which surprisingly charted in the Top 40 but otherwise did not attract any real attention. During the supporting tour,
tensions between the group members ran high and Skid Row disbanded shortly afterwards. Bach went on to form the Last Hard
Men with Smashing Pumpkins drummer Jimmy Chamberlin, but the group broke up after recording a cover of Alice Cooper's "School's
Out" for the Scream soundtrack in 1996. Plans to record new songs for the Skid Row greatest hits album, 1998's Forty Seasons,
fell through, as Bach went on to form a solo project and portray the title role in the Broadway musical Jeckyll and Hyde.
In mid-2000, Skid Row reformed with new singer Johnny Solinger and toured as the opening band for KISS' Farewell Tour. ~ Barry
Weber, All Music Guide |
Written by Barry Weber
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Some Row Songs:....
7. Get The Fuck Out
Your jokes ain't funny and there's
nothin' you say that I wanna hear The sound of the door slammin' your ass out is music to my ears If I can't beat you
then I m gonna beat you to a pulp So can the TV rays and take my tonsil glaze right down your throat
You're standin'
to close what the fuck's with you You ain't my old lady and you ain't a tattoo No need to whimper no need to shout This
party s over so get the fuck out Get the fuck out
Well I puke I stink bitch get me a drink 'cause I m payin' for
the room I ain't buying you breakfast so keep your mouth busy and wrap your lips all around my attitiude Take a
walk with me with your triple double Ds and your 40 foot do Why you walkin' funny you must have spent some time with the
boys in the crew
You're standin' to close what the fuck's with you You ain't my old lady and you ain't a tattoo No
need to whimper no need to shout This party s over so get the fuck out Get the fuck out
The morning's comin'
in and this is my bed If I find you here when I wake up The maid is gonna find me dead.
You're standin' to close
what the fuck's with you You ain't my old lady and you ain't a tattoo No need to whimper no need to shout This party
s over so get the fuck out Get the fuck out Get the fuck out Get the fuck out
New Generation
I sold my soul for you You
cut my life in two Nightmares from what I've seen and where I've been Made me run from you again
Controlling,
big brother's eye Containment? I'd rather die
We're all part of a new generation Sold our souls to the next temptation Lead
us not to our own damnation
I've seen what hatred brings I've seen the flesh of kings Blinded my eyes my mouth
you've sewn it shut Protecting me from fucking up!
Controlling, big brother's eye Containment? I'd rather die
We're
all part of a new generation Sold our souls to the next temptation Lead us not to our own damnation
We're all
part of a new generation Sold our souls to the next temptation Lead us not to our own damnation
We're all part
of a new generation Sold our souls to the next temptation Lead us not to our own damnation
We're all part of
a new generation Sold our souls to the next temptation Lead us not to our own damnation
New generation New
generation New generation
Hittin' A Wall
Peel me like dead skin Hate
to the bone I drag you through my field of thorns And drop you like a stone
Hold me under water Kick me to
the curb All my wolves are at your door Take me at my word
Hittin' a wall, we're hittin' a wall - yeah! Hittin'
a wall, we're hittin' a wall - yeah! Look at me and you're seeing a monster You ain't seen it all
If you're almighty Holier
than thou Seems we've got a discrepancy We should solve it now
I've built a bigger mountain Now you want it
gone If you expect to beat me down Brother bring it on
Hittin' a wall, we're hittin' a wall - yeah! Hittin'
a wall, we're hittin' a wall - yeah! Look at me and you're seeing a monster You ain't seen it all
Hittin' a wall,
we're hittin' a wall - yeah! Hittin' a wall, we're hittin' a wall - yeah! Look at me and you're seeing a monster You
ain't seen it all
You want to wrestle with my morals You think there's something I can learn You toss me out
like an abortion And I'm the one that fucking burns?
Hittin' a wall, we're hittin' a wall - yeah! Hittin' a wall,
we're hittin' a wall - yeah! Look at me and you're seeing a monster You ain't seen it all
Hittin' a wall, we're
hittin' a wall - yeah! Hittin' a wall, we're hittin' a wall - yeah! Look at me and you're seeing a monster You ain't
seen it all
Hittin' a wall, we're hittin' a wall - yeah! Hittin' a wall, we're hittin' a wall - yeah! Hittin'
a wall, we're hittin' a wall - yeah! Hittin' a wall, we're hittin' a wall
Ahh!!!
Down From Underground
Building shrines
to gods you'll never know Ppraying for rain, settling for snow Spinning out of times to beats impaired Do you know
your name? Do you even care?
Can you live your life staring at the lights Naked on the ice? If it comes
too fast, will you get it back when it all goes black?
Down Goin' down Goin' down from Down from underground
Icons
that you hail are all mechanical Feeling the pull lost in the fold Digging through a hole of discontent What
did you learn? Or did you forget?
Can you live your life staring at the lights Naked on the ice? If it
comes too fast, will you get it back when it all goes black?
Down Goin' down Goin' down from Down from
underground
And just what should real life be Why don't you show me, the fiction of reality The so called life
that I see And just what real life should be Can't be what you have shown me
If it comes too fast, will you get
it back when it all goes black?
Down Goin' down Goin' down from Down from underground
Down Goin'
down Goin' down from Down from underground
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